Samuel Bowley Barnes and Edward Mullins were boyhood friends in their home town of Bournemouth As young men they decide to join forces to become dealers in musical instruments; mainly selling, and mandolins in which they were particularly interested. Being- players of no mean ability. their public appearances helped them to sell their goods and soon they were dispatching instruments all over the country because of their advertising and the launching (in February 1894) of their monthly fretted Instrument magazine called “The 'Jo." ("The 'Jo" title was changed to “The Troubadour" after a couple of years.) They started to sell their "own" make of banjo but these were made for them by J. G. Abbott, W, E. Temlett. Windsor, Matthews, etc. - the usual makers "to the trade" at that time. It was in 1897 they patented their “mute attachment" which was fitted to B. & M. zither-banjos and worked from under the vellum. At the end of 1900 they moved to London and established themselves at Rathbone Place, off London's Oxford Street, as a wholesale house in all musical instruments and merchandise and, soon after, started their own workshops at Harrow, Middx. which at first were under the supervision of John G Abbott. During the dance-band boom they marketed- their "Lyratone" banjos plectrum banjos and tenor-banjo which enjoyed considerable popularity. A feature of these instruments was the all-metal construction of the hoops. They ceased making banjos soon after the outbreak of World War II. the instruments branded "B. & M." sold from about 1965, have been made for them in Germany. This instrument, labelled the 'Trumelo', is very similar to the Melody B/Uke. Note the offset tuning pegs and red triangular turnkeys. My grateful thanks to Peter Pollard for the photographs