Star of SOUTH AMERICAN GEORGE
She doesn't remember any bruises -- although Linden Travers is
uniquely energetic among the routinely decorous and decorative Formby
heroines. In SOUTH AMERICAN GEORGE, she is tossed in the air,
tumbled to the floor, and landed on by George himself -- although, as an
experienced horsewoman, she barely noticed.
Ms. Travers plays Carol Dean, stylish and sophisticated press agent,
business manager, and legal advisor to a temperamental Italian tenor.
Sidewalk-busker George meets her when he is drafted to replace a
missing spear carrier at the opera house. Soon "Miss Carol" drafts
George and trains him to replace the missing tenor (also played by
Formby) who has gone off for a romantic rendezvous in violation of his
contract. George, of course, is smitten and happily complies.
Although Ms. Travers must deliver the requisite "You were wonderful!"
line to George, she is distinctive among Formby heroines in other ways
besides athletic prowess: she plays a proactive career woman; her
actions, not George's, control the plot; though she "talks posh" like all his
leading ladies, she twice drops into Lancashire dialect to George's
enormous delight; and, almost unheard of among his leading ladies, she
gets to deliver a punchline. When Jacques Brown, as the unscrupulous
impresario Riccardo, introduces shyster-lawyer Felix Aylmer as "one of
my friends," she quips, "You must bring the OTHER one up sometime."
SOUTH AMERICAN GEORGE was the fifteenth of Linden Traver's two
dozen films (and George's first film for Columbia Studios after seven
years with ATP/Ealing). Although the tradition of non-communication
between Formby and his leading lady continued -- "I did not have any
conversations with George, except in the make-up room", she recalls --
Beryl Formby was uncharacteristically cordial: "She was always helpful
and charming to me. She helped me with my clothes during the film."
(Since the script required George to kiss vamp Enid Stamp Taylor but not
leading lady Travers, this may have aided Beryl's benevolent mood.)
Linden Travers was born Florence Lindon [sic] Travers at Houghton-le-
Spring, Durham on May 27, 1913, the daughter of William Halton Lindon-
Travers and his wife Florence (Wheatley). It was a family brimming with
talent. Her thespian relatives include her brother Bill Travers, her
daughter Susan (Lucas) Travers, nephew Richard Morant, and Penelope
Wilton, wife of Sir Ian Holm.
Always multi-talented, she was engaged to teach younger classmates
elocution, drama, painting, and sketching while still a student at the
Convent de la Sagesse. Her first professional stage appearances were
in repertory with the Playhouse, Newcastle-on-Tyne in 1933. The
following year she played the ingenue lead in Ivor Novello's MURDER IN
MAYFAIR at the Globe in London. There she met her future first
husband, Guy Leon, whose sister was in the cast. Their daughter,
Jennifer Susan, was born in 1939.
Soon Ms. Travers was alternating between stage and screen and
between femme fatale rôles (like Cecil Parker's mistress in THE LADY
VANISHES) and light comedies.
"I seem to have jumped out of being mistresses to playing with the
comics -- Tommy Trinder, Arthur Askey, and then George Formby," she
told interviewer Brian McFarland. "Beryl, his wife, controlled him. She
was his manager, and she wasn't inclined to encourage any girls hanging
around who were attractive. I wouldn't have been interested in George
anyway, although he was nice to work with and very professional. She
looked after him all the time. She and I eventually became good friends,
and she helped me a lot with my clothes. She was very good for him,
and I think she realized that she had helped to put him where he was
and didn't feel that someone younger and prettier than she was should
get hold of him. I think she was very sensible. In his time, he was terribly
funny, and he played his ukulele so well."
Although Linden Travers often portrayed errant or unstable characters,
McFarland feels her innate grace and style may have hindered her
career: "She was simply gorgeous, and a film industry less bedevilled by
gentility would have made her a great star."
During the war years, Ms. Travers starred in three major London stage
productions including NO ORCHIDS FOR MISS BLANDISH. She would
later repeat the title rôle in the cult-classic film version and recalls it as
her favourite part. In the post-war film industry renaissance, she
appeared in eight films in four years, including QUARTET, THE BAD
LORD BYRON, and CHRISTOPHER COLUMBUS in which poor
Columbus (Frederic March) can't get an appointment because King
Ferdinand (Francis Lister) is too busy chasing Ms. Travers. Quite
believably, her charms nearly change the course of history.
After Ms. Linden's marriage to James Holman in 1948, and the birth of
their daughter, Sally Linden, the following year, she limited herself to
occasional television appearances. She had never stopped painting and
drawing, and, in 1969, she and her sisters, Alice and Pearl, opened the
Travers Gallery in Kensington. It closed in 1972 after Alice died.
Two years later, her husband died of a heart attack following 26 years of
marriage. The couple had always enjoyed travelling, and Linden Travers
spent the next few years visiting Thailand, Egypt, India, and Nepal. In the
early 1980s, she became a credentialed and practising hypnotist and
psychologist.
Now living in Cornwall, she no longer performs. But on May 30, 1999,
Linden Travers appeared on television sets throughout the United
Kingdom in a BBC Alfred Hitchcock tribute, still strikingly beautiful, her
exquisite bone structure instantly identifying her as the delicious star of
SOUTH AMERICAN GEORGE.
POSTSCRIPT:
Following the above interview, Linden Travers died on October 23, 2001
in Cornwall at the age of 88.
STAGE ROLES INCLUDE:
1933 - Cynara (Newcastle-on-Tyne)
1934 - Murder in Mayfair
1935-6 - repertory in Birmingham
1942 - No Orchids for Miss Blandish (Richmond)
1943 - Ten Little Niggers
1945 - Quality Street
1946 - Dear Murderer (tour)
1947 - My Friend Lester
FILMS
1935 - Children of the Fog
1936 - Wednesday's Luck
1937 - Double Alibi
1937 - Against the Tide
1937 - Brief Ecstasy / Dangerous Secrets
1937 - The Last Adventurers / Down to the Sea in Ships
1938 - Bank Holiday / Three on a Weekend
1938 - Almost a Honeymoon
1938 - The Terror
1938 - The Lady Vanishes
1939 - Inspector Hornleigh on Holiday
1939 - The Stars Look Down
1941 - The Ghost Train
1941 - The Seventh Survivor
1941 - South American George
1942 - The Missing Million
1946 - Beware of Pity
1947 - The Master of Bankdam
1947 - Jassy
1948 - Quartet
1948 - No Orchids for Miss Blandish
1949 - The Bad Lord Byron
1949 - Don't Ever Leave Me
1949 - Christopher Columbus
1955 - The Schemer (TV series spinoff)
TV ROLES INCLUDE:
1955 - The Big Show
1988 - Game, Set and Match
1999 - Hitch (BBC Hitchcock tribute)
Eleanor Knowles Dugan
1999
Star of SOUTH AMERICAN GEORGE
She doesn't remember any
bruises -- although Linden
Travers is uniquely energetic
among the routinely decorous
and decorative Formby heroines.
In SOUTH AMERICAN
GEORGE, she is tossed in the
air, tumbled to the floor, and
landed on by George himself --
although, as an experienced
horsewoman, she barely
noticed.
Ms. Travers plays Carol Dean,
stylish and sophisticated press
agent, business manager, and
legal advisor to a temperamental
Italian tenor. Sidewalk-busker
George meets her when he is
drafted to replace a missing
spear carrier at the opera house.
Soon "Miss Carol" drafts George
and trains him to replace the
missing tenor (also played by
Formby) who has gone off for a
romantic rendezvous in violation
of his contract. George, of
course, is smitten and happily
complies.
Although Ms. Travers must
deliver the requisite "You were
wonderful!" line to George, she
is distinctive among Formby
heroines in other ways besides
athletic prowess: she plays a
proactive career woman; her
actions, not George's, control the
plot; though she "talks posh" like
all his leading ladies, she twice
drops into Lancashire dialect to
George's enormous delight; and,
almost unheard of among his
leading ladies, she gets to
deliver a punchline. When
Jacques Brown, as the
unscrupulous impresario
Riccardo, introduces shyster-
lawyer Felix Aylmer as "one of
my friends," she quips, "You
must bring the OTHER one up
sometime."
SOUTH AMERICAN GEORGE
was the fifteenth of Linden
Traver's two dozen films (and
George's first film for Columbia
Studios after seven years with
ATP/Ealing). Although the
tradition of non-communication
between Formby and his leading
lady continued -- "I did not have
any conversations with George,
except in the make-up room",
she recalls -- Beryl Formby was
uncharacteristically cordial: "She
was always helpful and
charming to me. She helped me
with my clothes during the film."
(Since the script required
George to kiss vamp Enid Stamp
Taylor but not leading lady
Travers, this may have aided
Beryl's benevolent mood.)
Linden Travers was born
Florence Lindon [sic] Travers at
Houghton-le-Spring, Durham on
May 27, 1913, the daughter of
William Halton Lindon-Travers
and his wife Florence
(Wheatley). It was a family
brimming with talent. Her
thespian relatives include her
brother Bill Travers, her daughter
Susan (Lucas) Travers, nephew
Richard Morant, and Penelope
Wilton, wife of Sir Ian Holm.
Always multi-talented, she was
engaged to teach younger
classmates elocution, drama,
painting, and sketching while still
a student at the Convent de la
Sagesse. Her first professional
stage appearances were in
repertory with the Playhouse,
Newcastle-on-Tyne in 1933. The
following year she played the ingenue lead in Ivor Novello's
MURDER IN MAYFAIR at the Globe in London. There she met her
future first husband, Guy Leon, whose sister was in the cast. Their
daughter, Jennifer Susan, was born in 1939.
Soon Ms. Travers was alternating between stage and screen and
between femme fatale rôles (like Cecil Parker's mistress in THE
LADY VANISHES) and light comedies.
"I seem to have jumped out of being mistresses to playing with the
comics -- Tommy Trinder, Arthur Askey, and then George Formby,"
she told interviewer Brian McFarland. "Beryl, his wife, controlled him.
She was his manager, and she wasn't inclined to encourage any girls
hanging around who were attractive. I wouldn't have been interested
in George anyway, although he was nice to work with and very
professional. She looked after him all the time. She and I eventually
became good friends, and she helped me a lot with my clothes. She
was very good for him, and I think she realized that she had helped
to put him where he was and didn't feel that someone younger and
prettier than she was should get hold of him. I think she was very
sensible. In his time, he was terribly funny, and he played his ukulele
so well."
Although Linden Travers often portrayed errant or unstable
characters, McFarland feels her innate grace and style may have
hindered her career: "She was simply gorgeous, and a film industry
less bedevilled by gentility would have made her a great star."
During the war years, Ms. Travers starred in three major London
stage productions including NO ORCHIDS FOR MISS BLANDISH.
She would later repeat the title rôle in the cult-classic film version and
recalls it as her favourite part. In the post-war film industry
renaissance, she appeared in eight films in four years, including
QUARTET, THE BAD LORD BYRON, and CHRISTOPHER
COLUMBUS in which poor Columbus (Frederic March) can't get an
appointment because King Ferdinand (Francis Lister) is too busy
chasing Ms. Travers. Quite believably, her charms nearly change the
course of history.
After Ms. Linden's marriage to James Holman in 1948, and the birth
of their daughter, Sally Linden, the following year, she limited herself
to occasional television appearances. She had never stopped
painting and drawing, and, in 1969, she and her sisters, Alice and
Pearl, opened the Travers Gallery in Kensington. It closed in 1972
after Alice died.
Two years later, her husband died of a heart attack following 26
years of marriage. The couple had always enjoyed travelling, and
Linden Travers spent the next few years visiting Thailand, Egypt,
India, and Nepal. In the early 1980s, she became a credentialed and
practising hypnotist and psychologist.
Now living in Cornwall, she no longer performs. But on May 30,
1999, Linden Travers appeared on television sets throughout the
United Kingdom in a BBC Alfred Hitchcock tribute, still strikingly
beautiful, her exquisite bone structure instantly identifying her as the
delicious star of SOUTH AMERICAN GEORGE.
POSTSCRIPT:
Following the above interview, Linden Travers died on October 23,
2001 in Cornwall at the age of 88.
STAGE ROLES INCLUDE:
1933 - Cynara (Newcastle-on-Tyne)
1934 - Murder in Mayfair
1935-6 - repertory in Birmingham
1942 - No Orchids for Miss Blandish (Richmond)
1943 - Ten Little Niggers
1945 - Quality Street
1946 - Dear Murderer (tour)
1947 - My Friend Lester
FILMS
1935 - Children of the Fog
1936 - Wednesday's Luck
1937 - Double Alibi
1937 - Against the Tide
1937 - Brief Ecstasy / Dangerous Secrets
1937 - The Last Adventurers / Down to the Sea in Ships
1938 - Bank Holiday / Three on a Weekend
1938 - Almost a Honeymoon
1938 - The Terror
1938 - The Lady Vanishes
1939 - Inspector Hornleigh on Holiday
1939 - The Stars Look Down
1941 - The Ghost Train
1941 - The Seventh Survivor
1941 - South American George
1942 - The Missing Million
1946 - Beware of Pity
1947 - The Master of Bankdam
1947 - Jassy
1948 - Quartet
1948 - No Orchids for Miss Blandish
1949 - The Bad Lord Byron
1949 - Don't Ever Leave Me
1949 - Christopher Columbus
1955 - The Schemer (TV series spinoff)
TV ROLES INCLUDE:
1955 - The Big Show
1988 - Game, Set and Match
1999 - Hitch (BBC Hitchcock tribute)
Eleanor Knowles Dugan
1999