Star of I DIDN'T DO IT
Pretty Marjorie Browne had been a popular singer-dancer for 18 years
when she appeared in I Didn't Do It, but, as was usual for George's later
co-stars, she was denied a single song or dance. However, she does go
down in history as the only Formby leading lady who got to play George's
uke! Just a few butter-fingered chords, of course. "Oh, I could never learn
how to do that," she says, "You have to use two fingers at the same time."
Which is the perfect cue for George to retrieve his uke and sing, "She's
Got Two of Everything."
Marjorie plays "Betty Dickson," a pretty resident of a theatrical boarding
house where stage struck George takes up residence. Her particular
performing skill is never specified, and her part is so small that her lines
could easily have been assigned to any of the male actors. Only a brief
sequence of thumb-twirling embarrassment by George hints that romance
might be in the (very distant) future.
"Marshie," as Marjorie's family called her, was a Lancashire lass. She was
born Florence Marjorie Brown in Manchester on March 13, 1910, daughter
of Charles Evelyn Brown and his wife, Aida Lowther Heyes, a singer and
music teacher from a theatrical family. (As was common in those youth-
fixated days, Marjorie's birth year was moved up to 1913 in later publicity
profiles.) She was educated at Lowther College, Rhuddlan, Wales, and
Auteuil, Paris.
As a teenager, she appeared in several pantomimes for Tom Arnold at the
Manchester Palace, either as Principal Boy or Girl. Reportedly, she was
also an extra in the 1926 silent film Nell Gwynne, which starred Dorothy
Gish. Her first professional London stage appearance was as one of C.B.
Cochran's famous and highly decorative Young Ladies in One Darn Thing
After Another in 1927. During the run, her uncle made a bet with a
colleague that if he asked at the stage door for the most beautiful young
lady in the company, he would be taken directly to Marjorie. He won the
bet.
Next was This Year of Grace in 1928. In Wake Up and Dream the
following year, both Marjorie and another Formby leading lady, Polly
Ward, understudied the star Jessie Matthews. Because Jessie was a
fragile creature, Marjorie got to play her role for extended periods of time
in London and toured with the show in 1930.
In 1931, she toured as the Countess Stasi in The Gipsy Princess, and her
credits during the early thirties include Jill in Mother Goose at the Theatre
Royal, Birmingham, 1932, and the Princess in Jack and the Beanstalk at
the Drury Lane, 1934. In 1934, she played Maud Dane in Sporting Love at
the Gaiety Theatre, London. She toured during 1936 as Angela in Tulip
Time and in December of that year played the Princess in Jack and the
Beanstalk at the Theatre Royal, Glasgow.
The West End saw her again in 1937 playing the ingénue lead, Frankie
Fayne, in Rodgers and Hart's On Your Toes at the Coliseum, and Lady
Mary Drew in Crazy Days at the Shaftesbury. That same year she was in
the film Lassie from Lancashire, directed by John Paddy Carstairs.
With the onset of World War II, Marjorie was busier than ever. She made
another film in 1940, Laugh It Off, with Tommy Trinder. In July of that year,
she opened in the lead of a Chu Chin Chow revival at the Palace Theatre,
repeating the role again in a revival of the revival in July 1941.
Christmases found her playing Principal Boy or Girl in pantomime at the
Alhambra, Glasgow where she was a firm favourite or in Liverpool, Leeds,
or Birmingham.
Still, Marjorie found time for romance. In 1941, she married [Charles]
Trevor Reeve, an ambitious young barrister five years her junior. He had
been commissioned in the 10th Royal Hussars the year before and
continued to serve throughout the war, becoming a Major. It was a union
destined to last until death did them part, and they were described as
"deeply devoted." Reeve even took dancing lessons so he could hold his
own with his wife on the dance floor.
With Reeve away in the Hussars, Marjorie continued to perform. In 1942,
she played the title role in Rose Marie at the Stoll Theatre and toured with
the show during 1942 and 1943. Her later tours included Loo Loo Martin
in Hit the Deck (1944) and Greta in Good Night, Vienna (1946). Between
these two final stage appearances, she played George Formby's romantic
interest in I Didn't Do It.
When her husband returned to the legal profession after the war, Marjorie
left show business and became the dedicated wife of a rising barrister.
Reeve was knighted in 1973, making his wife Lady Reeve. He
subsequently served as Judge of the High Court of Justice, Family
Division, from 1973 to 1988.
Marjorie Browne died October 21, 1990, aged 80. Her beloved husband
followed her three years later. In a reminiscence, Marjorie's younger
cousin, Joy Launor Heyes, described her as "by name and nature a true
lady of the 'old school' of the theatre. Elegant, beautiful, charming, and
witty to the end, Marjorie, Lady Reeve, will be greatly missed."
STAGE ROLES
1927 - One Darn Thing After Another
1928-29 - This Year of Grace
1929-30 - Wake Up and Dream
1931 - The Gipsy Princess
1932 - Mother Goose (Birmingham)
1934 - Sporting Love - 1934 - Jack and the Beanstalk
1936 - Jack and the Beanstalk (Glasgow) - 1936 - Tulip Time (tour)
1937 - On Your Toes - 1937 - Crazy Days
1940 & 1941 - Chu-Chin-Chow (revivals)
1941-43 - Rose Marie (revival)
1944 - Hit the Deck (tour)
1946 - Good Night, Vienna (tour)
FILMS:
1926 - Nell Gwynne
1938 - Lassie from Lancashire
1940 - Laugh It Off
1945 - I Didn't Do It
Eleanor Knowles Dugan
1999
Star of I DIDN'T DO IT
Pretty Marjorie Browne had
been a popular singer-dancer
for 18 years
when she appeared in I Didn't
Do It, but, as was usual for
George's later
co-stars, she was denied a
single song or dance.
However, she does go down in
history as the only Formby
leading lady who got to play
George's uke! Just a few
butter-fingered chords, of
course. "Oh, I could never
learn how to do that," she
says, "You have to use two
fingers at the same time."
Which is the perfect cue for
George to retrieve his uke and
sing, "She's Got Two of
Everything."
Marjorie plays "Betty Dickson,"
a pretty resident of a theatrical
boarding house where stage
struck George takes up
residence. Her particular
performing skill is never
specified, and her part is so
small that her lines could
easily have been assigned to
any of the male actors. Only a
brief sequence of thumb-
twirling embarrassment by
George hints that romance
might be in the (very distant)
future.
"Marshie," as Marjorie's family
called her, was a Lancashire
lass. She was born Florence
Marjorie Brown in Manchester
on March 13, 1910, daughter
of Charles Evelyn Brown and
his wife, Aida Lowther Heyes,
a singer and music teacher
from a theatrical family. (As
was common in those youth-
fixated days, Marjorie's birth
year was moved up to 1913 in
later publicity profiles.) She
was educated at Lowther
College, Rhuddlan, Wales,
and Auteuil, Paris.
As a teenager, she appeared
in several pantomimes for Tom
Arnold at the Manchester
Palace, either as Principal Boy
or Girl. Reportedly, she was
also an extra in the 1926 silent
film Nell Gwynne, which
starred Dorothy Gish. Her first
professional London stage
appearance was as one of
C.B. Cochran's famous and
highly decorative Young
Ladies in One Darn Thing After
Another in 1927. During the
run, her uncle made a bet with
a colleague that if he asked at
the stage door for the most
beautiful young lady in the
company, he would be taken
directly to Marjorie. He won
the bet.
Next was This Year of Grace in
1928. In Wake Up and Dream the following year, both Marjorie and
another Formby leading lady, Polly Ward, understudied the star
Jessie Matthews. Because Jessie was a fragile creature, Marjorie
got to play her role for extended periods of time in London and
toured with the show in 1930.
In 1931, she toured as the Countess Stasi in The Gipsy Princess,
and her credits during the early thirties include Jill in Mother Goose
at the Theatre Royal, Birmingham, 1932, and the Princess in Jack
and the Beanstalk at the Drury Lane, 1934. In 1934, she played
Maud Dane in Sporting Love at the Gaiety Theatre, London. She
toured during 1936 as Angela in Tulip Time and in December of that
year played the Princess in Jack and the Beanstalk at the Theatre
Royal, Glasgow.
The West End saw her again in 1937 playing the ingénue lead,
Frankie Fayne, in Rodgers and Hart's On Your Toes at the
Coliseum, and Lady Mary Drew in Crazy Days at the Shaftesbury.
That same year she was in the film Lassie from Lancashire,
directed by John Paddy Carstairs.
With the onset of World War II, Marjorie was busier than ever. She
made another film in 1940, Laugh It Off, with Tommy Trinder. In July
of that year, she opened in the lead of a Chu Chin Chow revival at
the Palace Theatre, repeating the role again in a revival of the
revival in July 1941. Christmases found her playing Principal Boy or
Girl in pantomime at the Alhambra, Glasgow where she was a firm
favourite or in Liverpool, Leeds, or Birmingham.
Still, Marjorie found time for romance. In 1941, she married
[Charles] Trevor Reeve, an ambitious young barrister five years her
junior. He had been commissioned in the 10th Royal Hussars the
year before and continued to serve throughout the war, becoming a
Major. It was a union destined to last until death did them part, and
they were described as "deeply devoted." Reeve even took dancing
lessons so he could hold his own with his wife on the dance floor.
With Reeve away in the Hussars, Marjorie continued to perform. In
1942, she played the title role in Rose Marie at the Stoll Theatre
and toured with the show during 1942 and 1943. Her later tours
included Loo Loo Martin in Hit the Deck (1944) and Greta in Good
Night, Vienna (1946). Between these two final stage appearances,
she played George Formby's romantic interest in I Didn't Do It.
When her husband returned to the legal profession after the war,
Marjorie left show business and became the dedicated wife of a
rising barrister. Reeve was knighted in 1973, making his wife Lady
Reeve. He subsequently served as Judge of the High Court of
Justice, Family Division, from 1973 to 1988.
Marjorie Browne died October 21, 1990, aged 80. Her beloved
husband followed her three years later. In a reminiscence,
Marjorie's younger cousin, Joy Launor Heyes, described her as "by
name and nature a true lady of the 'old school' of the theatre.
Elegant, beautiful, charming, and witty to the end, Marjorie, Lady
Reeve, will be greatly missed."
STAGE ROLES
1927 - One Darn Thing After Another
1928-29 - This Year of Grace
1929-30 - Wake Up and Dream
1931 - The Gipsy Princess
1932 - Mother Goose (Birmingham)
1934 - Sporting Love - 1934 - Jack and the Beanstalk
1936 - Jack and the Beanstalk (Glasgow) - 1936 - Tulip Time (tour)
1937 - On Your Toes - 1937 - Crazy Days
1940 & 1941 - Chu-Chin-Chow (revivals)
1941-43 - Rose Marie (revival)
1944 - Hit the Deck (tour)
1946 - Good Night, Vienna (tour)
FILMS:
1926 - Nell Gwynne
1938 - Lassie from Lancashire
1940 - Laugh It Off
1945 - I Didn't Do It
Eleanor Knowles Dugan
1999